Troy (IMDB) (Netflix)
Brad Pitt is Achilles the warrior, Orlando Bloom is Paris the callow loverboy, and Diane Kruger is Helen, the face that launched a thousand CGI server farms. With Peter O'Toole as King Priam and Eric Bana as his other son Hector, one of the few characters that come off well in this story of beefcake and senseless tragedy.
As with most tragic tales, especially mythic ones, the characters make any number of bad choices, some of which challenge the viewer's credulity and make it difficult to go along with the program, and the one-on-one fight scenes are more compelling than the major battles. As mentioned, most of the characters lose your respect as the film progresses (Achilles is mostly looking out for his own glory), but Bana's Hector is the true mensch, taking the hard road at every turn. He should have had a better publicist.
Sunday, May 16, 2004
Van Helsing (IMDB) (Netflix)
Hugh Jackman is a 19th century 007 working for an inter-denominational religious group fighting evil, which includes Dr. Jekyll/Mr. Hyde, werewolves, flying witches and of course, Count Dracula. Wasn't there an Abbott & Costello episode like this? Joining Hugh is unrecognizable Kate Beckinsale, her usual sunny goddess-next-door persona traded in for an Eastern European accent, Transylvania chic leather corset and proto-Spandex.
The theme of this picture seems to be more — more monsters, more special effects, more action, more time — giving it a sequel's I-must-have-missed-the-first-one feel. As with most sequels, more is less, so you're left somewhat drained by the experience rather than energized. The comic relief provided by The Friar is a bright spot, but maybe not enough to make this work for anyone over 30.
Hugh Jackman is a 19th century 007 working for an inter-denominational religious group fighting evil, which includes Dr. Jekyll/Mr. Hyde, werewolves, flying witches and of course, Count Dracula. Wasn't there an Abbott & Costello episode like this? Joining Hugh is unrecognizable Kate Beckinsale, her usual sunny goddess-next-door persona traded in for an Eastern European accent, Transylvania chic leather corset and proto-Spandex.
The theme of this picture seems to be more — more monsters, more special effects, more action, more time — giving it a sequel's I-must-have-missed-the-first-one feel. As with most sequels, more is less, so you're left somewhat drained by the experience rather than energized. The comic relief provided by The Friar is a bright spot, but maybe not enough to make this work for anyone over 30.
Sunday, May 02, 2004
I'm Not Scared (IMDB) (Netflix)
The golden fields of 1978 Sicily seem an idyllic place for a 10-year-old boy to grow up, and they are, at least until he makes a series of discoveries that test his courage and ultimately, his morality. It's difficult to say more without spoiling the first surprise, so I'll just say that it's been nominated for a slew of European film awards, and won several.
This is a good story told simply, with little hyping from music cues or anguished close-ups. The photography and even the film stock seems to come from that period, giving it the feel of an instant classic. On that score, time will tell, but this was pretty engrossing cinema. Calling it a thriller might be stretching things--it's fairly easy to get a few minutes ahead of the story in key places--it's more of a boy's struggle to do the right thing when the world around him has forgotten how.
The golden fields of 1978 Sicily seem an idyllic place for a 10-year-old boy to grow up, and they are, at least until he makes a series of discoveries that test his courage and ultimately, his morality. It's difficult to say more without spoiling the first surprise, so I'll just say that it's been nominated for a slew of European film awards, and won several.
This is a good story told simply, with little hyping from music cues or anguished close-ups. The photography and even the film stock seems to come from that period, giving it the feel of an instant classic. On that score, time will tell, but this was pretty engrossing cinema. Calling it a thriller might be stretching things--it's fairly easy to get a few minutes ahead of the story in key places--it's more of a boy's struggle to do the right thing when the world around him has forgotten how.
Shaolin Soccer (IMDB) (Netflix)
A soccer squad called "Team Evil" is just begging to be taken down, and it's going to take a rag-tag band of brothers to come together, win the big prize and get the girl. They've never played the sport before, and their coach is a cripple who's been cast off by the slimy team owner, but they have their Shaolin Kung Fu skills to serve as their superpowers. Think Crouching Tiger, Hidden Dragon meets The Magnificent Seven meets Stripes.
This is a lot of fun (and if I had forgotten for even a moment, there was a woman sitting a few rows back whose cackle constantly reminded me). It's not high art, and the acting has that distinctive martial arts film lack of subtlety, but its good-natured sensibility and heart are irresistible. Rated PG, so youngsters can take their first crack at reading sub-titles.
A soccer squad called "Team Evil" is just begging to be taken down, and it's going to take a rag-tag band of brothers to come together, win the big prize and get the girl. They've never played the sport before, and their coach is a cripple who's been cast off by the slimy team owner, but they have their Shaolin Kung Fu skills to serve as their superpowers. Think Crouching Tiger, Hidden Dragon meets The Magnificent Seven meets Stripes.
This is a lot of fun (and if I had forgotten for even a moment, there was a woman sitting a few rows back whose cackle constantly reminded me). It's not high art, and the acting has that distinctive martial arts film lack of subtlety, but its good-natured sensibility and heart are irresistible. Rated PG, so youngsters can take their first crack at reading sub-titles.
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